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You are here: Home / European Settlements / Beyond Clichés

Beyond Clichés

By Damian Bacich

Californio descendant Greg Bernal Smestad points out photos of his ancestors in his Silicon Valley home.

 

Recently I began recording a series of interviews for a new podcast I will be launching as part of California Frontier. For one of the first interviews, I had the pleasure of visiting Greg Bernal Smestad. Greg has made it his mission to preserve and maintain the heritage his ancestors, who came to California with the Anza expedition in the 1770s.

For Greg, this is something of vital importance, because it means preserving an identity — not just facts or dates, but the memory of the whole way of life, one that is easily caricatured, or reduced to a series of clichés.

When I went to see Greg, I was struck by three things. The first was his hospitality. We made me feel welcome as a guest and sent me home with fruits and vegetables from his garden. Hospitality is a trait of the old Californios, according to Greg, and it was something that was passed down to him from his grandmother, a direct descendant of the people who walked hundreds of miles from Sonora to Alta California.

The second thing was the deep well of knowledge that he seemed to draw from in telling his story. Greg learned a great deal of family lore and wisdom from his maternal grandmother, who had kept alive the memory of her antepasados. But he wasn’t content with just learning what he learned from her. Instead, he has enriched what she taught him with the study of primary documents from archives all over California, Spain and Mexico.

The third was his passion. Greg’s passion involves many of the things that make the study of the California frontier so fascinating:  an interest in topics such as the arts, music, archaeology, languages, history, as well as a web human relationships, from academics, to museum curators to native people, to history buffs to genealogists. These are the types of people I intend to profile through the podcast, and I am really looking forward to sharing these conversations with you. 

One of Greg’s concerns is that the story of Alta California is often reduced to a series of binary oppositions: Spanish vs. indigenous, missionaries vs. soldiers, Anglo-Americans vs. Latinos. Let’s be clear — throughout the pre-statehood era, there was plenty of conflict.  Even the great native ethnologist Pablo Tac mentions wars among Indian tribes prior to the coming of the Spanish. Yet strong bonds of trade, family, friendship and love also existed between and among all these groups of people. That story is seldom told, perhaps because it is a little more complicated, and it forces us to look at the light and shadow in our own lives and relationships, and not settle into comfortable divisions.

The image of the Virgin of Guadalupe atop the façade of the Royal Presidio Chapel in Monterey (Damian Bacich/CaliforniaFrontier.net).

I recently saw La Virgen del Tepeyac, a long-standing production of the story of Juan Diego and the Virgin of Guadalupe. The play is produced every other year in the old Mission San Juan Bautista by Teatro Campesino for the last four decades. Teatro Campesino’s beautifully-produced version, while remaining mostly faithful to the original story, has a strong social justice orientation focussed on the rights of Native peoples and their oppression at the hands of the Spanish conquistadors.  But the image of the Virgin with the indigenous face was dear to all the people Alta California: indigenous, mestizo, African and Spanish. Since the beginning, La Guadalupana accompanied settlers, soldiers, sailors, and missionaries all throughout the west coast of North America. Hers was a face that united them all: Junípero Serra prayed at her shrine in Mexico City when he first arrived in the Americas, and her image can be seen on the façade of the royal Presidio chapel in Monterey. Despite divisions, the Virgin of Guadalupe continues to exist as an image of an ideal of common bonds between people of all ethnicities and social classes, and ideal that has existed since the earliest days of the California frontier. The ideal still persists, and it is still worth working towards.

While I was visiting Greg, I learned that he has Portuguese, indigenous and Norwegian ancestors. All of these cultures and histories combine to make one person, as they do in so many of us. The mission of CaliforniaFrontier.net is to tell the stories of real people, places and events, and to go beyond the clichés or simplistic, divisive narratives. I think the podcast interviews will help us tell those stories, and I am sure you will enjoy them. Keep an eye out for more announcements.

In the meantime, I wish you and yours all the best for the holidays and for a wonderful 2017!

Damian Bacich

Filed Under: European Settlements, Spanish Exploration and Colonization Tagged With: Anza, Californios, Virgin of Guadalupe

About Damian Bacich

Damian Bacich, Ph.D. writes about California and the West. He is also a professor, translator and historical researcher. You can learn more about Damian here.

Comments

  1. Fernando Zazueta says

    December 27, 2016 at 9:35 am

    Greg’s enthusiasm for his ancestral history is contagious and has made me curious about my own ancestors. A mutual friend, Jose Pantoja, spent many hours translating documents in the archives of the City of San Jose from the Spanish and early Mexican periods into modern Spanish. Greg has the interest, energy, and curiosity to continue with Mr. Pantoja’s labors. I have promised to help whenever and wherever possible. With respect to the above blog, please note there are three hills in the area where the Virgin Mary appeared to Juan Diego. The first or most prominent hit is called is El Tepeyac or Tepeyacac which in Nahuatl means “nose of the hill or mountain” from Tepetl=hill or mountain and yacatl=nose or prominence. So the play mentioned above should more properly be called La Virgen del Tepeyac. Noted Mexican-American playwright Luis Valdez and his Teatro Campesino actors put on this play every Christmas in the mission town of San Juan Bautista near Hollister and Gilroy and is a very moving cultural and spiritual experience, well worth attending.

    • Damian Bacich says

      December 28, 2016 at 10:36 am

      Thanks for the clarification about El Tepeyac. To Teatro Campesino’s credit, the play they put on is titled “La Virgen del Tepeyac.” The typo was mine!
      Thanks also for mentioning Mr. Pantoja, whom I had the pleasure of meeting him some years ago. A wonderful man to whom we owe a debt of gratitude for his hard work making so many precious documents accessible to a wider audience.

  2. Alex E says

    December 27, 2016 at 7:01 am

    Eagerly waiting for the podcast!

    • Damian Bacich says

      December 28, 2016 at 10:26 am

      Thanks, Alex. I hope to have it ready by early February. I’m lining up more interviews.

  3. BGob Senkewicz says

    December 20, 2016 at 12:35 pm

    Greg is a very interesting and engaging person who has done a lot of important work in recovering California’s multicultural heritage. Nicely done story!

    • Damian Bacich says

      December 20, 2016 at 3:13 pm

      Thank you, Bob. I agree, and appreciate the comment!

  4. Cosmos Bacich says

    December 20, 2016 at 7:19 am

    Interesting account of an original Californio family. Very informative.

I’m Dr. Damian Bacich, and I started the California Frontier Project. Learn more about me and the project here.

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